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Lenses

Sigma Cine prime lenses

The full set comprises 8 lenses which are suitable for all applications including up to 8k and full frame coverage.

Zeiss Compact Prime-2 Super Speeds

Our comprehensive Zeiss CP2 super speed 6 lens kit consists of the 15mm 2.9 / 25mm 2.1 / 35mm 1.5 / 50mm 1.5 / 85mm 1.5 and with the option of adding a 135mm 2.1.nThese stunning little 4K ready PL or EF mount Zeiss CP2 [compact primes] lenses are from the new super speed range. They cover all sensor sizes up to full frame and feature a compact lightweight build, high quality Zeiss optics, and full cine style markings, rotation and .8 pitch.

Sigma 18-35 & 50-100 T2.0 Zoom lenses

Compact and very fast these Sigma 18-35 and 50-100 T2 zoom lenses are lightweight and very well built, have a beautiful crisp image and pleasing bokeh. If you need to work fast and primes might not work or you know its going to be a low lit scene then these are like your box of primes in 2 lenses. With lenses starting to look properly shallow at t2, that gives these lenses the ability to have a noticeably more pleasing image than their slower relatives. A PL doubler can be supplied to give that extra reach if desired.nCost effective, compact, matching fronts, silky smooth rotations, a great set of zoom lenses.

Fujinon Cabrio 85-300mm 2.9 4K

With so many productions now adopting large sensor cameras the option of a lightweight and compact PL zoom lens with a range of 85 to 300mm delivers the sort of long zoom range people were used to easily having when filming with B4 mount cameras. nOther outstanding features are thats it’s 4K, reduced focus rotation compared to normal cine lenses, a speed of 2.9, macro and back focus facility, a powered servo ability as per b4 mount lenses, a weight of only 3kg and the lens markings are luminous so easy to read in the dark. An all round brilliant lens. n

Fujinon Cabrio 19-90mm 2.9 4K

With so many productions now adopting large sensor cameras the option of a lightweight and compact PL zoom lens with a range of 19-90mm delivers the sort of zoom range that makes this an incredibly versatile lens and an industry favourite. nOther outstanding features are that it’s 4K, reduced focus rotation compared to normal cine lenses, a speed of 2.9, macro and back focus facility, a powered servo ability as per b4 mount lenses, a weight of only 2.7kg and the lens markings are luminous so easy to read in the dark. An all round brilliant lens. n

Canon CN7 17mm-120mm PL zoom lens

Canon has created a lens offering outstanding quality – from image centre to image edge. The CN7 supports 4K resolution and incorporates an 11-blade diaphragm to deliver softer, more attractive out of focus areas.

Red 18-50 & 50-150 2.9

These lenses have very practical zoom ranges and are lightweight and compact, making them ideal for shoots where time is tight or the operator is working the lens without an ac. Great for large sensor run and gun filming, interviews, docs, drama, reality etc

Duclos 11-16 2.8 Pl zoom lens

Duclos Lenses has developed a conversion process for the Tokina 11-16mm ultra-wide angle lens to really squeeze the most performance possible out of the lens. Lubricated, geared, and marked, the new aperture ring allows precise control. This lightweight lens perfectly capable of holding itÕs own against the likes of other motion picture optics. Minimum focus is 12ÕÕ, front dia is 80mm.

Schneider Optics F4 24mm Tilt Shift

A rare lens that can offer a particular look to a production, this is a high quality re-house of the Canon 24 mm ts lens by Schneider optics in the US.

GL Optics 100mm F3 Macro

Light weight, and with only 180 degrees focus turn, this is an easy macro lens to use and makes those tricky macro focus pulls a lot easier.

CANON EF 24mm 1.4 L series prime

Also from Canons flagship L series lens range, this is a very fast and sharp prime lens and a perfect partner to the 50mm 1.2 EF. Suitable for the C300, FS700, DSLRÕs, and any EF mount camera.

Canon EF 100mm f2.8 Macro

Macro lens with 4 stops of Image Stabilisation, three position distance limiter and a 9 blade circular aperture for beautiful bokeh. Close focus distance is .3 of a metre.

CANON 8-15mm F4L FISHEYE ZOOM

For filmmakers who want the look and feel only possible with extreme wide angle and fisheye photography, the Canon EF 8-15mm Fisheye is a great choice. The EF 8-15mm is the world’s widest fisheye zoom lens, delivering 180¡ diagonal angle of view, and provides 180¡ circular fisheye images for full-frame EOS models.

CANON 24-105 F4

This lightweight standard zoom offers a greater focal-length range and a more compact construction than other standard zooms. It has an F4 constant aperture with three stops of image stabilization. This is a great multi purpose, run and gun lens.

Samyang 14mm EF 3.1 prime

A compact lens with manual aperture and cine lens gearing. It is uncoated and will therefore flare more easily. A great lens if you want to go that little bit wider without going fisheye.

CANON 45mm 2.8 and 24mm 3.5 tilt shift lenses

Being close to the popular 50mm in focal the 45mm ts lens offers a lot of versatility and creativity.The 24mm tilt shift can add some quirck and interest to a wide shot amoung many other creative uses, and both lenses can really focus the eye on a certain part of the image. The degree of tilt shift can be varied as each shot requires, and set at the top, bottom, sides and diagonally anywhere around the image.

CANON EF 70-200mm F2.8L 2 USM

Features internal focus and zoom, incredible clarity through the entire zoom range, and a constant 2.8 throughout. Can be combined with a 1.4 or 2x extender for increased zoom range [1 and 2 stops of speed loss accordingly]

CANON EF 16-35mm F2.8L 2 USM

The Canon EF 16-35mm f/2.8L II USM is a high performance, water resistant, and ultra wide angle lens. nThe circular aperture produces a beautiful and natural background when shooting at wider apertures, includes internal focusing.

CANON 50mm 1.2 L series prime

Super fast and sharp EF mount prime lens for C300, Dslr, and EF mount cameras including the Sony FS700. Great for low light filming, and can create incredibly soft and lush back and foregrounds to your shots if shot very wide open. Being a very fast lens you can back it off being wide open and still get serious DoF if desired.

Zeiss ZF Prime Lens Set with Cine Mod

Zeiss lenses are famous for the exceptional quality of the pictures they provide over the entire full frame image field. These lenses include a standard 32-pitch focus gear, 80mm front ring, and de-clicking and dampening of the aperture. These beautiful lenses can be used with digital cinema cameras including the C300, F3, Phantom, Red camera and DSLRÕs.

Nikon primes lens set

* 20mm 2.8n* 24mm f2n* 35mm 1.4n* 50mm 1.2n* 85mm 1.4n* 105 f2n* 135 2.8nnThese classic Nikon fast aperture manual prime lenses still give a great image at an affordable rate.

LENSBABY composer pro

An amazingly effective, radical tilt shift lens. nBy simply moving the end of the lens it is possible to control where the lens has focus, or its Ôsweet spotÕ The focus area size can be managed with the aperture, includes manual focus.

CANON HJ22

This versatile lens offers an impressive 22x zoom range [168mm] plus a doubler, and also has a very usable wide end of 7.6 [64.6 degrees]nSpeed / F1.8

Canon HJ14 x 4.3

This Super wide angle lens currently has the widest angle of view available at 96.3 degrees, and has an impressive 14 x zoom with a 2 x extender, giving a total of 120mm of available zoom length.nSpeed / F1.8